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Part of Jim Cameron fonds
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Part of Jim Cameron fonds
Part of Jim Cameron fonds
Part of Jim Cameron fonds
Part of Jim Cameron fonds
Part of Jim Cameron fonds
Part of Jim Cameron fonds
Part of Jim Cameron fonds
Part of Jim Cameron fonds
Part of Jim Cameron fonds
Part of Jim Cameron fonds
Part of Jim Cameron fonds
Part of Jim Cameron fonds
Part of Jim Cameron fonds
Part of Jim Cameron fonds
Part of Jim Cameron fonds
Part of Jim Cameron fonds
Part of Jim Cameron fonds
Part of Jim Cameron fonds
Part of Jim Cameron fonds
Part of Jim Cameron fonds
Part of Jim Cameron fonds
Part of Jim Cameron fonds
Part of Jim Cameron fonds
Part of Jim Cameron fonds
Part of Jim Cameron fonds
Part of Jim Cameron fonds
Part of Jim Cameron fonds
Part of Jim Cameron fonds
Part of Jim Cameron fonds
Part of Jim Cameron fonds
Part of Jim Cameron fonds
Part of Jim Cameron fonds
Part of Jim Cameron fonds
Part of Jim Cameron fonds
Part of Jim Cameron fonds
Part of Jim Cameron fonds
Part of Early print collection
A1 recto. Features overpainted metalcut depicting Germain Hardouyn’s printer’s device, two putti holding a shield hanging from a tree (adapted from the emblem of the Parisian printer Guillaume Eustace). Inscription reads: Hore beate marie virginis s[e]c[un]d[u]m usum e // cclesie romane totaliter ad longum cum mul // tis suffragiis et orationibus. (Hours of the Blessed Virgin Mary according to the use of the Roman Church, complete and at length with many suffrages and prayers.)
Part of Early print collection
B2 verso. Features an overpainted metalcut of Saint John the Evangelist on the island of Patmos with a vision of the Virgin and Child in the sky. John has his gospel on his lap and is accompanied by an eagle, his evangelist symbol.
Part of Early print collection
Hours of the Blessed Virgin Mary - Matins
Part of Early print collection
C5 verso. Features an overpainted metalcut of the Expulsion from the Garden. Adam and Eve, covering themselves in shame, are expelled from the Garden of Eden by an angel with a sword, with God the Father and Christ above.
Hours of the Blessed Virgin Mary - Lauds
Part of Early print collection
D7 recto. Features an overpainted metalcut of Augustus and the Tiburtine Sybil. The Roman emperor consults the prophetess, who reveals a celestial vision of the Virgin and Child, while a young man looks on. According to medieval legend, when Augustus consulted the Sibyl about whether he should accept apotheosis (recognition as a god after his death), she prophesied the coming of Christ and revealed a vision of the Virgin and Child on the site of the future Church of Santa Maria in Aracoeli in Rome.
Part of Early print collection
H7 verso. Overpainted metalcut of King David repenting. A kneeling David prays for forgiveness outside the walls of Jerusalem with two bodies at his feet, while an angel descends bearing a sword and arrow, symbols of war.
Part of Early print collection
Part of Early print collection
Part of Early print collection
Part of Early print collection
Part of Early print collection
Part of Early print collection
Part of Early print collection
Part of Early print collection
Item is folio 164, the recto titled "The tra[n]slacyon of Saynt Thomas of Ca[n]terbury" (The translation [or movement of the relics] of Saint Thomas of Canterbury), and the verso titled "The lyfe of Saynt Kenelme kynge & martyr" (The life of Saint Kenelm, king & martyr). The leaf is expurgated, with the title of the recto crossed out and the two columns of text on recto obscured with large x's.
Saint Thomas Becket was a 12th century Archbishop of Canterbury who was murdered after a dispute with King Henry II of England over the rights of the Church. He was canonized and his shrine at Canterbury was a major pilgrimage site until its suppression by Henry VIII. Saint Kenelm was a legendary murdered boy king of Mercia.
Part of Early print collection
Item is folio 165, titled "The lyfe of Saynt Kenelme kynge & martyr" (The life of Saint Kenelm, king & martyr), although the verso also includes the introduction to The lyfe of Saynt Margarete (The life of Saint Margaret). The text is expurgated, with the word "pope" crossed out 5 times on the verso. Saint Kenelm was a legendary murdered boy king of Mercia, and Saint Margaret the Virgin was a legendary martyr.
Part of Early print collection
Part of Early print collection
Part of Early print collection
Part of Early print collection
Part of Early print collection
Part of Early print collection
Part of Early print collection
Part of Early print collection
Part of Early print collection
Part of Early print collection
Part of Early print collection
Part of Early print collection
Part of Early print collection
Part of Jim Cameron fonds
Part of Jim Cameron fonds
Part of Jim Cameron fonds
Part of Jim Cameron fonds
Part of Jim Cameron fonds
Part of Jim Cameron fonds
Part of Jim Cameron fonds